Fotospeed DY15 Fotodyes are designed to be used on any photographic emulsion. As true dyes, they are completely absorbed by the emulsion leaving no surface marking. The dyes come in 11 different colours with one reducer which can be used to correct mistakes by either partially removing Fotodye from the print or fully removing the colour. It has no adverse effect on BW or colour prints. All the dyes can be fully intermixed and /or dilutedto produce any colour or shade required. The dyes are extremely concentrated and caution should initially be exercised when diluting for use. It is very rare to use the dye undiluted except to colour 35mm title slides. When using for the first time, we suggest you test the strength of colour on scrap prints. As a first test use 3 drops of dye to 1 teaspoon of water. You can then see the effect of stronger colour by adding more drops of dye. Larger quantities available from 250ml to 5Litre Please e-mail for a quotation
Contains 50mls each of Sepia, Blue and Copper Red toner. An inexpensive pack of small quantities of each to allow you to test and trial various toning techniques. Full instructions tips and hints enclosed.
A variable Sepia Toner which can produce a wide range of sepia tones on Fibre and Resin Coated B&W papers. Complete Kit contains : Part 1 - Bleach ; Part 2 - Toner ; Part 3 - Toner Additive. Parts 1 & 2 mix separately to make two working solutions with Part 3 is added in its concentrated form to part 1+2mixed working solution to adjust the shade of sepia required. Part 3 is needed to activate the toner. Full instructions tips and hints enclosed.
BT20 is an Iron Blue Toner which comes in three parts to make a single working solution. Equal parts 1,2&3 are diluted with water. Full instructions supplied on mixing ratios and timings to achieve shades, depth and brilliance of blue tones required.
A single part concentrate which is specifically designed for toning of FB + RC B&W papers to produce a wide range of subtle warm purple black tones. Tonal shade is adjusted by dilution and toning time. RC papers may be slow to react with selenium. Chlorobromide emulsions (such as Fotospeed RCVC papers) are the exception and will produce very effective results. Archival Permanence Techniques for all papers are achieved with higher dilutions. Full instructions supplied
Copper/Red Toner is a liquid toner which is supplied in a two part concentrate which makes a single working solution. It is specifically designed for the toning of Fibre and Resin Coated B&W papers. The shade of the Copper/Red tone is adjusted by the length of time the print is allowed to stay in the working solution. Full instructions supplied on mixing ratios and timings to achieve shades, depth and brilliance of tones required.
FS NON-Variable Contrast Sepia Toner
Makes 1 Litre. ST10 NON Vario Sepia Toner is an odourless toner which will produce a fixed sepia tone on both Fibre and Resin Coated B&W papers. It comprises two parts: Part1 - Bleach & Part 2 - Toner. Each part mixes separately to make two working solutions. This toner will give a traditional sepia colour with no control over the colour.
Palette Toner has pushed open the boundaries of metallic toning to allow a Kaleidoscope of vibrant hues to be created from a single kit. Using traditional toning methods the four colours contained in the kit can be combined to produce a multitude of tones. Being a traditional toning system it has archival qualities and is controllabl, allowing many copies of the same toned print to be made. Palette Toner is suitable for both Fibre and Resin Coated B&W papers.
1 Litre working solution working solution and should NOT be further diluted. On FB prints Gold Toner shows steel blue hue, (RC papers exhibit more delicate shades) Where both FB & RC images are first sepia toned and then placed into Gold Toner the effect will be to produce warm rich peachy/pink hues. Split toning with Selenium Toner is also an exciting effect. Full instructions supplied on mixing ratios and timings to achieve shades, depth and brilliance of tones desired.
